Reviews
Verdi's La Traviata
(Violetta) -
Devon Opera
Leon Winston
Herald Express
Natasha Day provided a truly magnetic performance which captured in fine detail the whole tragic journey of the drama.
Scenes from Berg's Wozzeck/
Vaughan Williams' Pastoral Symphony -
Birmingham Philharmonic Orchestra
Norman Stinchcombe
Birmingham Post
Natasha Day's radiant soprano was crucial in both works: a passionate, yearning Marie seduced by the pugnacious macho posturing of Berg's deliberately hollow martial music and as the wonderfully soothing, wordless other-worldly off-stage voice providing a final benediction at the symphony's end.
Mozart’s Litaniae Lauretanae K195 & Exultate Jubilate - Battle Choral Society
Kevin Anderson
Rye & Battle Observer
The writing in the Litaniae especially is frighteningly elastic, but Natasha was frighteningly good. Her delivery of the Exsultate Jubilate, and its exquisite Alleluia, left us breathless. Natasha Day: remember the name.
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Rossini's La Gazetta (Lisetta) -
RCM International Opera School
Charlotte Valori
Bachtrack
Natasha Day is fabulous. Her arias are full of skilful bravura and exultation, and in Rossini’s witty exchanges her acting is slick: throughout, her performance brims with obvious enjoyment.
Handel's Agrippina
(Poppea) -
English Touring Opera
Michael Tanner
The Spectator
Natasha Day made a sensational impact. A commanding actress, she uses her lovely voice with utter assurance…
Carmen (Micaela) -
Winslow Hall Opera
Robert Thicknesse
Opera Now
Natasha Day's Micaela had real radiance and a homespun strength of character...
Mozart's Magic Flute
(First Lady) -
Nevill Holt Opera
Roderic Dunnett - Opera Now
Hugh Canning - Opera Magazine
Three dazzling and well matched Ladies...
...a sexy and euphonious trio of Ladies...
Bizet's Carmen (Micaela) -
Edinburgh Grand Opera
Paul Christie
The Scotsman
Natasha Day's performance of the timid Micaela is particularly strong and her polished soprano blends beautifully with that of her love interest, Don Jose
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Britten's Albert Herring (Miss Wordsworth) -
RCM International Opera School
John Jacob
Thoroughly Good
All the cast turned in outstanding performances. All of the voices sparkled in the Britten Theatre, most notably Natasha Day’s Miss Wordsworth…