Biography

Scottish-Polish soprano Natasha Day trained at The Royal College of Music’s International Opera School and English National Opera's ‘Opera Works’ course.
 
Operatic roles include Tosca (Opera Brava, Devon Opera), Violetta La Traviata (ROH Reimagined - Royal Opera House, Opera Brava, Devon Opera), Woglinde Das Rheingold (concert performance, Birmingham Symphony Hall), Donna Anna Don Giovanni (The Athenaeum Club, Pall Mall), Poppea Agrippina (English Touring Opera), Marie in scenes from Berg's Wozzeck (Birmingham Philharmonic Orchestra), Neala Moniuszko’s Paria (Polish Opera in London), Gilda Rigoletto (Devon Opera), the title role in Donizetti’s Rita (Rocket Opera), Helena Puck at the world premiere of Benjamien Lycke and Mahlon Berv's contemporary opera, Lisetta La Gazzetta, and Miss Wordsworth Albert Herring (RCMIOS), First Lady The Magic Flute (Nevill Holt Opera, RCMIOS), Mimi La Bohème (Haddo House Opera, Devon Opera, Arcadian Opera, Opera Bohemia), Musetta La Bohème (Opera Brava, Celebrate Voice Festival, Park Opera), Micaela Carmen (Winslow Hall Opera, Edinburgh Grand Opera), Jessie Mahagonny-Songspiel (UNAM) in Mexico City, Fiordiligi Cosi fan tutte (The Rye Festival, Devon Opera, Westminster Opera), Donna Elvira Don Giovanni and the title role in Holst’s Savitri (Minotaur Music).

Natasha recently recorded an album of Robert Mansell’s Songs for Soprano and Tenor, along with Debussy’s Ariettes Oubliees, due for release during 2027.
 
Concert engagements include Wagner's Wesendonck Lieder (Scottish Sinfonia), Verdi’s Requiem (Brandenburg Festival Orchestra at Eton College and at the De Montfort Hall in Leicester), Brahms' Requiem, Berlioz’s La Mort de Cleopatre, Strauss' Four Last Songs, Beethoven's Symphony No 9, Dvorak’s Stabat Mater, Fanshaw’s African Sanctus, Handel’s Messiah, Mahler's Symphony No. 4, Haydn’s Nelson Mass and Paukenmesse, Mozart's Mass in C Minor, Requiem, Coronation Mass, Vesperes de Dominica, and Exultate Jubilate, Ramirez’s Misa Criolla, as well as regular Opera Galas and recitals throughout the UK, including The Elgar Room (The Royal Albert Hall). Natasha toured the south of France, singing operatic arias accompanied by orchestra and joined the London Gala Orchestra in presenting New Year's concerts in a variety of prestigious UK venues.
 
Natasha won First Prize at the Złote Głosy Competition in Warsaw, Second Prize at The Filharmonia Czestochowska Competition also in Poland and The Most Promising Singer Award at the Emmy Destinn Competition in Prague. She was a Finalist in the Concorso Lirico di Ferrara, Italy and is a Britten-Pears Young Artist.